Beneath the ferocity of Hans Burkhardt’s exacting brushwork and application of oil paint there is an undeniable remnant of hope that appears consistently throughout the works in “Within and Beyond the Mainstream.” Burkhardt’s bold moves on the canvas are akin to the call of the Sirens, luring the viewer into the field of vision so [...]
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In Chris Barnard’s Crowd Pleaser, New Mexico, a splintering shard of remaining daylight eclipses an empty box of metal bleachers facing a desolate desert landscape. Darkened clouds are set to converge, promising imminent darkness and threatening rain, but the spectacle has already taken place and the crowd has dispersed. The ambiguous New Mexican environ depicted [...]
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